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In Fiction (ver 2) by Isis
-------------------------------------------------------------------------------
IN FICION - Isis
-------------------------------------------------------------------------------
Tabbed by:
Email: [email protected]
Tuning: Drop B (B F# B E G# B)
Key: B Minor (B, C#, D, E, F#, G, A)
Length: 8:59
Guitar 1 - Aaron Turner, Lead
Guitar 2 - Michael Gallagher, Rhythm
Lyrics:
Through fiction we saw the birth
Of futures yet to come
Yet in fiction lay the bones
Ugly in their nakedness
Yet under this mortal sun
We cannot hide ourselves
0:08, 0:24, 0:40, 1:04, 1:20, 1:08, 2:11,
0:56, 1:12, 1:28, 1:36, 1:52, 1:24, 2:27,
1:44, 2:00, 2:16, 2:08, 2:24, 1:40, 2:43,
2:32, 2:48, 3:04 2:40, 2:56 1:56 3:00
Both
B |------------------| B |------| B |-----| B |-------------------|
G#|---10--13--15--11-| G#|---10-| G#|---5-| G#|---13-5------------|
E |------------------| E |------| E |-----| E |-------------------|
B |--0---------------| B |--0---| B |--0--| B |--0----------------|
F#|-0----------------| F#|-0----| F#|-0---| F#|-0-----------------|
B |------------------| B |------| B |-----| B |-------------------|
3:12
Guitar 1
B |-------------------------------------------------------------------------|
G#|-------------------------------------------------------------------------|
E |-------------------------------------------------------------------------|
B |-------------------------------------------------------------------------|
F#|-55555555555555557777777777777777----------------------------------------|
B |-00000000000000000000000000000000----------------------------------------|
B |-------------------------------------------------------------------------|
G#|-------------------------------------------------------------------------|
E |-------------------------------------------------------------------------|
B |-------------------------------------------------------------------------|
F#|-202020202020202020202020202020202222222222222222888810101010------------|
B |-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-00000-0-0-0-------------|
Aaron alternates playing these two riffs and ends up playing each
one twice.
Guitar 2
B |-------------------------------------------------------------------------|
G#|--------------------------------66666666666666666666666666666666----8888-|
E |77777777777777779999999999999999--------------------------------7777-----|
B |-------------------------------------------------------------------------|
F#|-------------------------------------------------------------------------|
B |-------------------------------------------------------------------------|
x4
4:15
Guitar 1 Guitar 2
B |------------------| B |----------|
G#|------------------| G#|----------|
E |------------------| E |-10----12-|
B |------------------| B |-0-----0--|
F#|-2222222219191919-| F#|----------|
B |-0-0-0-0-0-0-0-0--| B |----------|
x16 x4
4:46
Guitar 1 Guitar 2
B |----------| B |----------|
G#|----------| G#|----------|
E |----------| E |-10----12-|
B |-777777-7-| B |-0-----0--|
F#|-555555-5-| F#|----------|
B |-000000-0-| B |----------|
x16 x8
5:17
Guitar 1
B |--------------------------------------------------------------------------------|
G#|--------------------------------------------------------------------------------|
E |--------------------------------------------------------------------------------|
B |-0-000-12-0-000-12-0-000-12-0-000-12-0-000-12-0-000-12-0-000-12-0-000-12|
F#|-0-000-12-0-000-12-0-000-12-0-000-12-0-000-12-0-000-12-0-000-12-0-000-12|
B |-0-000-12-0-000-12-0-000-12-0-000-12-0-000-12-0-000-12-0-000-12-0-000-12|
Guitar 2
B |--------------------------------------------------------------------------------|
G#|--------------------------------------------------------------------------------|
E |-------10-------10-------12-------12-------10-------10-------12-------12|
B |-0-000-----0-000-----0-000-----0-000-----0-000-----0-000-----0-000-----0-000----|
F#|--------------------------------------------------------------------------------|
B |--------------------------------------------------------------------------------|
PM: ... ... ... ... ... ... ... ...
5:33
Both
B |-------------------------------------------------------------------------------|
G#|-------------------------------------------------------------------------------|
E |-------------------------------------------------------------------------------|
B |-0-10-12-0-10-12-0-10-12-0-10-12-15151515-0-10-12-0-10-12-0-10-12-0-10-12-3333-|
F#|-0-10-12-0-10-12-0-10-12-0-10-12-15151515-0-10-12-0-10-12-0-10-12-0-10-12-3333-|
B |-0-10-12-0-10-12-0-10-12-0-10-12-15151515-0-10-12-0-10-12-0-10-12-0-10-12-3333-|
x2
5:48
Guitar 1
B |------------------------------------------------------|
G#|------------------------------------------------------|
E |------------------------------------------------------|
B |------------------------------------------------------|
F#|-55555555-----------55555555--------------------------|
B |---------15151588888--------158887777-----------------|
x4
Guitar 2
B |------------------------------------------------------|
G#|------------------------------------------------------|
E |------------------------------------------------------|
B |-------------------------------------------1212121212-|
F#|-5555555515151515121212121212555555551515151212121212-|
B |-0000000012121212121212121212000000001212121212121212-|
x4
These two parts played at 5:48 are in a really weird
position. It's a lot easier to play certain notes on the
F# string but if you watch there pro shot in Sweden this
is where they play it for some reason.
6:31
Guitar 1 Guitar 2
B |-1212121212121212121212121212121212| B |--------------------|
G#|------------------------------------| G#|--------------------|
E |------------------------------------| E |-77777777777777777-|
B |------------------------------------| B |--------------------|
F#|------------------------------------| F#|--------------------|
B |------------------------------------| B |--------------------|
For 6:31 and 6:48, the trick is to activate a reverb pedal and roll
your volume down while you slide the note down. Guitar 1 should start
off picking quietly and get louder; Guitar 2 should start palm muted
and slowly release it.
6:48
Guitar 1 Guitar 2
B |-1212121212121212121212121212121212| B |--------------------|
G#|------------------------------------| G#|--------------------|
E |------------------------------------| E |-77777777777777777-|
B |------------------------------------| B |-00000000000000000--|
F#|------------------------------------| F#|--------------------|
B |------------------------------------| B |--------------------|
6:59
Guitar 1
B |-1414141414141414141414141414141415151515151515151515151515151515-|
G#|------------------------------------------------------------------|
E |------------------------------------------------------------------|
B |------------------------------------------------------------------|
F#|------------------------------------------------------------------|
B |------------------------------------------------------------------|
Guitar 2
B |-----------------12121212121212121212121212121212-----------------|
G#|------------------------------------------------------------------|
E |-7777777777777777-------------------------------------------------|
B |------------------------------------------------------------------|
F#|------------------------------------------------------------------|
B |------------------------------------------------------------------|
7:07
Guitar 1
B |-1414141414141414151515151515151514141414141414141515151515151515-|
G#|------------------------------------------------------------------|
E |------------------------------------------------------------------|
B |------------------------------------------------------------------|
F#|------------------------------------------------------------------|
B |------------------------------------------------------------------|
Guitar 1
B |-1414141414141414151515151515151517171717171717171919191919191919-|
G#|------------------------------------------------------------------|
E |------------------------------------------------------------------|
B |------------------------------------------------------------------|
F#|------------------------------------------------------------------|
B |------------------------------------------------------------------|
Aaron alternates playing these two riffs and ends up playing each
one twice.
Guitar 2
B |------------------------------------------------------------------|
G#|------------------------------------------------------------------|
E |-7777777777777777777777777777777777777777777777777777777777777777-|
B |-0000000000000000000000000000000000000000000000000000000000000000-|
F#|------------------------------------------------------------------|
B |------------------------------------------------------------------|
x2
7:38
Both
B |--------------------------------|
G#|--------------------------------|
E |--------------------------------|
B |-33333333/5555500003330-0003330-|
F#|-33333333/5555500003330-0003330-|
B |-33333333/5555500003330-0003330-|
8:09
Guitar 1
B |--------------------------------------------------------------------------------|
G#|--------------------------------------------------------------------------------|
E |--------------------------------------------------------------------------------|
B |3-3-3-33-33-33-3/7-7-7-77-77-77-7/8-8-8-88-88-88-8/10-10-10-1010-1010-1010-10-12|
F#|--------------------------------------------------------------------------------|
B |--------------------------------------------------------------------------------|
Aaron plays this live but it isn't in the studio version.
Guitar 2
B |--------------------------------------------------------------------------------|
G#|--------------------------------------------------------------------------------|
E |--------------------------------------------------------------------------------|
B |3-3-3-33-33-33-33-3-3-33-33-33-33-3-3-33-33-33-33-3-3-33-33-33-30---------------|
F#|3-3-3-33-33-33-33-3-3-33-33-33-33-3-3-33-33-33-33-3-3-33-33-33-30---------------|
B |3-3-3-33-33-33-33-3-3-33-33-33-33-3-3-33-33-33-33-3-3-33-33-33-30---------------|
There you go, In Fiction by Isis. Feel free to email me with any questions.
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